Comic Book Character Spotlight: Superman
No hero has been as misunderstood and taken for granted over the last few years as Superman.
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Review: The Apartment (1960)
It's a rare and beautiful thing when a movie transcends genre and defies classification, succeeding so completely at the perfection that is often pursued by filmmakers, but rarely achieved. For me, Billy Wilder's The Apartment (1960) is flawless. I also realize that my unvarnished praise may well be setting the bar of expectation too high for those who haven't yet seen the movie, and reviews can be a dangerous thing; after all, the goal is to tell just enough to pique the reader's interest without changing their experience. But I can't maintain a cool, casual distance from this movie. I adore The Apartment . Every character in the story is so human . The 1950s had ushered in a new level of nuance and honesty to filmmaking as Hollywood continued to struggle against the chains of the Production Code to tell real stories that audiences could relate to. 1960 is--in many ways--the last year of the 1950s, though the fifties dream of idealism would continue briefly until ...
Review: The Great Escape (1963)
You couldn't ask for a movie with a higher pedigree of talent in front of the camera and behind the scenes. 1963's The Great Escape is populated wall-to-wall with actors that I enjoy: Steve McQueen ( Bullit ), James Garner ( Support Your Local Sheriff ), Charles Bronson ( Mr. Majestyk ), Donald Pleasance ( Halloween ), James Coburn ( In Like Flint ) and Richard Attenborough ( Jurassic Park ) lead an all-star cast of current A-listers (and some that would be). Handling directing duties is John Sturges, a director who helmed more than his fair share of classics, including Last Train from Gun Hill (1959), The Magnificent Seven (1960), and The Eagle Has Landed (1976) . So it's with something close to guilt that I admit in this review that I don't love The Great Escape. I know I should. All the elements for success are there, from real-life heroism, underdogs that the audience can (and should) root for, even triumphs and tragedies as played out agains...
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