With Avengers: Endgame on track to be the biggest cinematic event of all time, Heath and Bree sit down for a discussion about what worked, what didn't, and the significance of the what Marvel and Disney have achieved through this film. This video is filled with spoilers, so PLEASE don't watch it until you've seen Avengers: Endgame!
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Deadpool & Wolverine is less a movie and more a collection of fan service, references, and easter eggs. At the same time, it's a shot in the arm for the flagging Marvel Cinematic Universe, which really should have ended (or at least gone into hibernation) following Avengers: Endgame. Listen, everyone knows the score here: Deadpool exists to break the fourth wall and offering meta commentary on the experience of the film as it happens. It's both refreshing and exhausting in equal portions, but the constant inside jokes that call out everything from other Ryan Reynolds movies to the Disney purchase of Fox to deep cuts for comic book aficionados effectively render non-stop dopamine hits for the viewer that keep things moving along and distract us from the shortcomings of the story. Take out all the fun references and what we're left with isn't much: Deadpool's reality is collapsing because Logan sacrificed himself a few years ago (in 2017's LOGAN, natch), and n
Burt Reynolds spent a lot of the 1970s making movies that were set in the rural south and are sometimes called "hick flicks." With the two Gator McKlusky movies, we have one of his best and...another one.
As a kid, The Golden Age of Hollywood was always elusive and mysterious to me. I knew so little about it, but I could recognize that it was the inspiration for so much of the entertainment that was geared toward me during childhood. This was the era of Indiana Jones, Dick Tracy, and The Rocketeer , when current big screen blockbusters were paying tribute to the good old days in very clear ways. An early trip to Disney's MGM Studios shortly after it opened further cemented my interest; years before the theme park partnered with the likes of Aerosmith and American Idol , it was conceived as a living tribute to the classic Hollywood of myth, the Hollywood that only existed on cinema screens. Imagine that: a theme park dedicated entirely to the movies! The main street of MGM Studios--named Hollywood Boulevard, of course--was lined with kiosks selling old movie magic. Head shots of famous actors such as Clark Gable could be purchased beneath the shadow of a replica of The Crossroads of
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