At The Drive-In With Mahoning Team!


Heath chats with the Alexander Monelli, the director of AT THE DRIVE-IN, as well as Virgil and Mark from the Mahoning Drive-In theater, a destination for movie fans all across the world thanks to its 35mm prints, weekend marathons, and massive fan events! Grab some popcorn, find a parking spot, and enjoy the show! 


We are viewer supported! To unlock the entire Collecting At Midnight series plus collection tours and over 100 EXCLUSIVE EPISODES, visit Patreon.com/CerealAtMidnight!

CerealAtMidnight.com
Twitter: CerealMidnight
Instagram: CerealMidnight
Letterboxd: CerealAtMidnite

Comments

Post a Comment

Popular posts from this blog

Review: The Substance (2024)

Image
Demi Moore earned her first Oscar nom for The Substance , and she deserves it. After all, she's a survivor of the Hollywood machine who delivers a brave and memorable performance. The film also serves as a showcase for Margaret Qualley, who blazes into courageous territory herself.  But at some point, this potent cautionary tale from French filmmaker Coralie Fargeat turns into a bizarre splatter fest (not unlike Peter Jackson's Braindead , aka Dead Alive ) that diminishes its message and dilutes its themes in a tidal wave of gore and blood that is so relentless that it becomes desensitizing and, dare I say, uninteresting. A film that started as a scalpel ends as a sledgehammer, bashing us over the head so aggressively that I went numb to it a good thirty minutes before it finally ended. If the goal was to create an endurance test, mission accomplished. There's value in that, at least in the short term. I appreciate and support the important things this movie has to say abou...
Read more

Review: Deadpool & Wolverine (2024)

Image
Deadpool & Wolverine is less a movie and more a collection of fan service, references, and easter eggs. At the same time, it's a shot in the arm for the flagging Marvel Cinematic Universe, which really should have ended (or at least gone into hibernation) following Avengers: Endgame. Listen, everyone knows the score here: Deadpool exists to break the fourth wall and offering meta commentary on the experience of the film as it happens. It's both refreshing and exhausting in equal portions, but the constant inside jokes that call out everything from other Ryan Reynolds movies to the Disney purchase of Fox to deep cuts for comic book aficionados effectively render non-stop dopamine hits for the viewer that keep things moving along and distract us from the shortcomings of the story. Take out all the fun references and what we're left with isn't much: Deadpool's reality is collapsing because Logan sacrificed himself a few years ago (in 2017's LOGAN, natch), and n...
Read more