Review: The Last Showgirl (2024)
Pamela Anderson makes a triumphant return to the screen with The Last Showgirl , her first film in nearly a decade, and one that often rests squarely on her shoulders. It’s a role that demands quite a bit from her, and she more than rises to the challenge, delivering a performance that has earned well-deserved awards buzz and caught a jaded industry by surprise. The film takes place in Las Vegas over a period of two weeks as a long-running showgirl revue is slated to close, making way for something new and fresh. It’s the last show of its kind on the strip, now outdated and irrelevant. At the center of our story is Shelly (Anderson), a dancer who has been with the review for decades. She’s become a surrogate mother to the younger girls (Brenda Song, Kiernan Shipka), but she has an estranged daughter of her own (Billie Lourd) that she’s trying to patch things up with. Shelly’s closest friend and mentor is Annette (Jamie Lee Curtis), a former showgirl who aged out of the revue six y...
