Cereal At Midnight

Out of the shadows at last! GHOST STORY aka Circle of Fear is a slice of spooky seventies greatness! This horror anthology television show ran from 1972-1973 and was the creation of legendary B-movie producer William Castle and writer Richard Matheson. After years of obscurity and on-demand discs, this show makes a worldwide, region-free Blu-ray debut thanks to Australia's Via Vision Entertainment! With a cast list of some of the most prestigious names of the time (Karen Black, Meg Foster, Janet Leigh, Jason Robards, Martin Sheen, Jodie Foster) and writers including Matheson, Hammer's Jimmy Sangster, D.C. Fontana, and Harlan Ellison, the pedigree for the series couldn't be higher for genre buffs. The unknown is waiting... Order your copy directly from Via Vision HERE *Note: Price is in Australian dollars. 

Ah, the 1970s! There's no other decade quite like it, and the movies that came from the era are a reflection of the rapid social changes that were happening at the time. From The Godfather to Grease, from Serpico to Star Wars, it's an period of unrest, cynicism, and anger, but also of hope, excitement, and nostalgia. It's also the decade in which the blockbuster as we know it now was first born with the movie JAWS ! Please join Heath and Cinema Dave for an in-depth discussion about this tumultuous decade in film and an exploration on how so many of the movies from that reflect so many of our current social struggles. It's a mini-film school session as we dig into the classics! Follow Cinema Dave on Instagram @cinema_dave and subscribe to the Cinema Dave Media YouTube channel HERE Check out his conversation with Daisuke Beppu about Sidney Lumet HERE Cereal At Midnight - Top Ten Halloween and Horror Movie Favorites Featuring Cinema Dave

The first of a series of videos looking at Roger Moore's tenure as James Bond! How did the role of Agent 007 change with the retirement of Sean Connery from the iconic British spy and the casting of Roger Moore? What works? What doesn't work? Does the transition from Connery to Moore leave us shaken, stirred, or unmoved altogether?